Photographic book/catalogue by weaver and textile designer Åsa Pärson. The sample weave is Åsa’s sketch method for creating qualities with different characteristics where she distinguish between the tactility and the sensation of the textile. That is how the material behaves in the hand, against the skin and also how it looks. It is easy to replace a component and get a whole new result, a new surface, a new feeling that sometimes also becomes an association to something completely different from the weaving.

Hand-sewn process book with pictures from the Intertradition project. Includes one pattern repeat from the inter-traditional fabric and the process chart poster. Limited edition of 38 books per colour.

“Deepa Panchamia’s work is powerful, addressing as it does a fundamental and beguiling characteristic of all forms of life, namely those ever-present contradictions in nature, where the transparent yet strong, fluid and rigid, ostensibly random yet structured so often coalesce with such beautiful results”.
—Mary Schoeser, 2017

This debut book presents a selection of Deepa Panchamia's work from 2004—2017, including notes and extracts from the artist’s journal and essays written by Mary Schoeser. Limited to 300 copies, each book is numbered and signed by the artist.

Anton Alvarez has spent two years developing a machine that spins thousands of metres of brightly coloured thread around pieces of wood and metal to join them, producing solid benches, stools and lamps without traditional joints of any kind. The thread acts as an joining element, allowing the raw material being wrapped to be extremely elaborate without appearing so. Alvarez’s work has been exhibited at the Victoria & Albert Museum and is represented by Libby Sellers Gallery in London. In photos, interviews and essays, this book presents the evolution of the thread wrapping technique, with an essay by UglyCute founder Andreas Nobel and a foreword by legendary British artist and curator Richard Wentworth.

Most of our textiles today contain too high amounts of hazardous chemicals that adversely affect humans and nature. In this practical inspiration book, traditional plant dyeing takes on new forms. You will learn how to color, fabric, yarn or perhaps an old natural fiber garment with pigments from your environment in a simple and poison-free way. The color pigments are found mainly in food and in otherwise we would shed peel and kernels from fruits such as avocado and pomegranate and vegetables such as onion and carrots, morning coffee or perhaps waste water from the dinner rice.

Please note that this book is in Swedish.

Exclusive from the loom of Arianna E. Funk. A luxurious handwoven cloth for your face and body. 100% linen hand-dyed with indigo, every cloth is unique! Woven in waffle-weave technique for a little extra gentle exfoliation.

These are best washed by hand but can also be washed in the machine on warm/40 degrees C with like colours. The linen softens with the first use and may shrink slightly.

Each measures about 36 x 36 cm

Bojito is designed by Silo Studio, through looking at ways of creating unique items with one mould; each time they make one it will be slightly different from the next. A textile is used that can withstand very high temperatures and still stay strong many times over. The textile mould leaves a beautifully tactile surface on the glass.

Coming from backgrounds in engineering and design, the core of Silo’s work is to look at industrial processes and materials, and adapt them to the studio setting. By adopting a hands-on approach, which they refer to as ‘Handmade hi-tech’, they aim to discover possibilities that the production line does not see, developing the expressive potential in industrial materials. A mix of craft and technology.

Bojito is handmade in London in collaboration with expert glass blower Jochen Holz. It can be used to enjoy hot or cold drinks and is dishwasher safe.

Material: Textile moulded borosilicate glass
Colours: Clear, Teal, Green, Amber, Pink
Measurements: 70 x 100 x 145 mm

Flax light is designed by the Dutch designer Christien Meindertsma, who explores the life of products and raw materials. With her designs, Christien aims to regain understanding of processes that have become so distant in industrialisation.

With the Flax project, Christien collaborated with farmer Gert Jan van Dongen, using his entire harvest of 10,000 kilos of flax fibers from his farm in the Flevopolder in 2010 to develop a series of products from this locally produced flax. Working from the seed to the final product. One of these products is the Flax light, which was made in collaboration with traditional ropemaker Touwslagerij Steenbergen and designed for Thomas Eyck.

Materials : Flax and porslin socket
Measurements : Length 5m

Flax extension cord is designed by the Dutch designer Christien Meindertsma, who explores the life of products and raw materials. With her designs, Christien aims to regain understanding of processes that have become so distant in industrialisation.

With the Flax project, Christien collaborated with farmer Gert Jan van Dongen, using his entire harvest of 10,000 kilos of flax fibers from his farm in the Flevopolder in 2010 to develop a series of products from this locally produced flax. Working from the seed to the final product. One of these products is the Flax extension, which was made in collaboration with traditional ropemaker Touwslagerij Steenbergen and designed for Thomas Eyck.

Materials : Flax and plastic sockets
Measurements : Length 5m

Inspired by urban landscapes seen from the air, these framed compositions show the irregular repetition of our man-made patterns in nature. Each composition is individually crafted using sheets of layered paper and intricate cutwork and stitching. The paper is handmade by Deepa Panchamia at the Paper House in Fiskars Village, Finland, using cotton mixed with bits of nature.